A conversation about PÄR LINDGREN’s Mimesis
A picture of ANDERS ELIASSON
A World of "Freedom" - Contemporary music in Sweden
Agnes Berg – with many strings on her mandolin
ALLGÉN and the heavenly
ANDERS ELIASSON - between everyday and the sea
Anders Jormin - professor of improvisation
ANDERS NILSSON – the polyphonist
ANDRÉ CHINI - A political protest
BENGT HAMBRAEUS – Spectrogram
BO RYDBERG and the links
Confessions - KARL-ERIK WELIN between two trains – conversations centring on L’Aveu
CSABA DEÁK – The wind from the puszta
DANIEL BÖRTZ’ Parodos
DROR FEILER - Music, Noise, and Politics
EAM – Getting a view of the music: a look at the Swedish EAM
EU works against the UNESCO convention for cultural diversity
FOLKE RABE – or On the importance of atmospheric disturbances
Fredrik Ljungkvist
Georg Riedel – mixing the genres
GÖRAN GAMSTORP - composer without a safety net
Gösta Oswald’s writing and BO NILSSONS’s Brief an Gösta Oswald
HANS HOLEWA - an intimate lyricist
Information on Jazz in the Nordic countries
INGVAR KARKOFF - With attention to detail
INGVAR LIDHOLM - Composer (Summary in English)
Iris Esell – prefers to move rather than impress
JONAS KULLHAMMAR - An up-tempo jazz musician
Josefina Sanner – productive songwriter releases debut album
Jörgen Elofsson – successful songsmith
KARIN REHNQVIST - on 'Ljus av ljus'
KARKOWSKI - composer and rabble-rouser
KARL-BIRGER BLOMDAHL’s Viola Concerto - An introduction
Key to a room - Interviewing SVEN-DAVID SANDSTRÖM about the opera Staden
KLAS TORSTENSSON - ON THE PHYSICAL, DRAMATIC AND POETIC POWER OF MUSIC
Labyrinths and ghostly oboes - Portrait of ANDERS NILSSON
LARS JOHAN WERLE and his "VAGGSÅNG FÖR JORDEN" (Lullaby for the Earth)
Maria Grönlund: Composing is intoxicating
Masse – keeps it simple
Mathias Venge respects the craft
MIKLÓS MAROS – both a Swedish and a Hungarian identity
Music is feeling - Sven-David Sandström about Through and Through
Music on the Border - About LARS SANDBERG and his music
New works by ANDERS ELIASSON
Niclas Frisk – from artist to famed popsmith
Now ABBA Benny is Professor Andersson
Odd Job
PAULA AF MALMBORG WARD - on 'The Scar'
Per Aldeheim - from hard rocking pop hits to ballad jazz
Peter Asplund
Povel Ramel – pulling down the idyll
Profile: Christian Walz
Profile: Petter Stenqvist
Putte Wickman and Jonas Kullhammar
PÄR LINDGREN: Multi-level transformations
Rochester International Jazz Festival
RUNE LINDBLAD - The unaccommodating pioneer
SAGVIK, A Contemporary?
Sarah Assbring: “Songwriting is a sophisticated game”
Sofie Livebrant finds melodies in the texts
Sophia Somajo – already experienced
STELLAN SAGVIK - Music with a big heart
STIM/Svensk Musik targets the Composer Festival.
SVEN-DAVID SANDSTRÖM: Tradition’s metamorphosis
Swedish music in a nutshell - An introduction to Swedish orchestral music
The universal language - JAN SANDSTRÖM’s "Small sounds, one voice"
THE WIND BAND IN THE HISTORY OF SWEDISH MUSIC
To articulate from the side - On KARIN REHNQVIST and folk music
Tony Nilsson – workaholic with a taste for the eighties
Tradition and Innovation - tendencies in INGVAR LIDHOLM's music of the 70s and 80s
Zarah – stardom at any price
ÅKE PARMERUD - The Form of the Riddle: the Riddle of the Answer
“It mustn’t be mannered!” A presentation of LARS EKSTRÖM’s trombone concerto Do it Ivo! and Järnnatten
“... I allow myself to write music ...” Thoughts on LARS JOHAN WERLE’s later production